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From a CT video rental store to PBS: How 'Barney & Friends' became a kids' TV phenomenon

A vintage plush talking Barney is filmed in a 海角换妻 studio.
Dave Wurtzel
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海角换妻
A vintage plush talking Barney is filmed in a 海角换妻 studio.

Leer en espa帽ol

Barney鈥檚 story starts in late 1987 in Allen, Texas. At the time, a former teacher named Sheryl Leach had a two-year old son, Patrick. She struggled to find videos that held his attention.

鈥淚 was a struggling mom at home with a very active two year old and I was stuck in traffic driving down north-central expressway,鈥 Leach said in a local TV interview at the time. 鈥淎nd got the idea that if I could do a video series and put things into it that would hold the attention of a very young child, that it would be something that kids would love and parents would love, too.鈥

Other preschool-aged programs like 鈥淪esame Street鈥 and 鈥淢ister Rogers' Neighborhood鈥 were still popular at that time, but both of those appealed to a wider age range. Sheryl wanted something just for toddlers.

When she couldn't find a program like that, she decided to make her own home video series with the help of her friend and fellow mom, Kathy Parker, and local video producer Dennis DeShazer.

Sheryl and her team got $1 million dollars from her father-in-law, Richard Leach, to make the home videos. He was an entrepreneur and publisher 鈥 and he also set up a video production company, the Lyons Group, to market the videos.

鈥淚n the beginning, in the first scripts, Barney was a teddy bear,鈥 Leach said.

Technically, Barney went from a teddy bear, to a sea serpent named Cecilia, to Barney the dinosaur. Leach鈥檚 son, Patrick, had a role in that.

鈥淭he traveling dinosaur exhibit was touring Dallas and my little boy, Patrick, loved dinosaurs. So I teamed together with colleagues, Kathy Parker and Dennis de Shazer,鈥 Leach said. 鈥淎nd I remember calling Kathy at the time and saying, how about a dinosaur instead of a teddy bear? And it was just a unanimous decision.鈥

鈥淏arney and the Backyard Gang鈥 didn鈥檛 originally air on TV. Instead, the videos were sold directly to the public.

A still frame from a Barney promo filmed for CPTV in 1992.
CPTV Screengrab
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海角换妻
A still frame from a Barney promo filmed for CPTV in 1992.

Sheryl and her team targeted toy and gift stores. They recruited friends to spread the word, creating their own army of Barney Moms. They even partnered with the department store chain Neiman Marcus on a Barney product line.

The videos became pretty popular across Texas. But their success outside the state was still limited. Until a small twist of fate.

Barney鈥檚 海角换妻 roots 

Growing up, Leora Rifkin Edouard didn鈥檛 watch a lot of television. But on Super Bowl Sunday 1991, when she was just four years old, she asked her dad if they could go to their local video store in Prospect, 海角换妻.

As Leora looked through the shelves, there was one video that caught her eye.

鈥淚 remember being like to the left of me,鈥 Rifkin Edouard said. 鈥淕oing to grab that video.鈥

The video was called 鈥淎 Day At The Beach.鈥 It had a red cover and smack dab in the center was a blueish-purple dinosaur wearing a little sailor鈥檚 hat and scarf standing on a boat full of kids.

When Leora and her dad got home, they popped in the video. Her dad went about his day. But Leora sat there, glued to the TV. And when it was done, she asked to watch it again.

鈥淎nd in those days, you really had to help the child rewind the tape, so I had to keep going back in,鈥 Rifkin said. 鈥淎nd then I decided, well, maybe it's worth my time to sit down and take a look at this.鈥

Leora鈥檚 dad, Larry Rifkin, did more than just look at what was on the screen. He looked at his daughter, Leora, who couldn鈥檛 turn away from it.

A big break on CPTV

Larry Rifkin wasn鈥檛 just any parent though. He happened to be in charge of programming for the state鈥檚 PBS station, CPTV, or as we call it today, 海角换妻.

Now, Rifkin was not an expert on children鈥檚 television and CPTV was not a major player in public broadcasting, but PBS and the Corporation for Public Broadcasting had recently put out a call for more preschool programming.

Larry Rifkin, photographed here in 2023, brought 鈥楤arney & Friends鈥 to 海角换妻 Television and was Executive Producer on the show from season one through eleven.
Dave Wurtzel
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海角换妻
Larry Rifkin, photographed here in 2023, brought 鈥楤arney & Friends鈥 to 海角换妻 Television and was Executive Producer on the show from season one through eleven.

And as a programmer, Rifkin understood how important it was to listen to your audience. Kids like Leora were Barney鈥檚 target audience.

鈥淯p until that time, there was very little for a young child going down to age three, or four,鈥 Rifkin said. 鈥淭hey like that slower pace, that linear storyline, they like a character with whom they can relate, who gives them unconditional appreciation for who they are and what they're feeling. And so Barney met a lot of things that we really didn't, as a system, offer yet.鈥

So Rifkin looked at the video鈥檚 back cover, found the name Sheryl Leach, and gave her a call.

鈥淎nd lo and behold, I said to her, have you ever considered PBS? And she and her southern drawl said, 鈥楶BS? Tell me what that is,鈥欌 he said.

Sheryl Leach gave the OK. And so Rifkin pitched the show for national distribution.

The very next year, 1992, 鈥淏arney and the Backyard Gang鈥 hit PBS as 鈥淏arney & Friends鈥 and found its way into the homes of millions of kids.

鈥淏arney was a one off,鈥 Rifkin said. 鈥淎s I say, Barney was a unicorn. He wasn't a dinosaur.鈥

Learn more

To hear more about the battle to keep 鈥淏arney & Friends鈥 on the airwaves, tune in to Episode 1 鈥淭oddler TV鈥 and follow 鈥淕eneration Barney鈥 wherever you get your podcasts.

New episodes drop Tuesdays through December.

Meg Dalton is the director of audio storytelling and talk shows for 海角换妻 where she oversees the station鈥檚 talk shows and podcasts, including the limited series 'In Absentia'.
Lily is the senior producer for The Colin McEnroe Show. She's also a producer of the podcast 'Generation Barney.' She first worked at 海角换妻 as an intern in 2014. She has previously worked for WBUR, KUNC and as a producer for the New England News Collaborative's weekly show Next. Lily can be reached at ltyson@ctpublic.org.
Sabrina Herrera is editor of the Latino Initiative at 海角换妻. Through listening sessions, bilingual reporting, and expanded programming & engagement opportunities, 隆Somos 海角换妻! aims to uplift Latine stories and increase Latine representation in news coverage. Sabrina is also host of the narrative podcast, Generation Barney.
Cassandra Basler oversees 海角换妻鈥檚 flagship daily news programs, Morning Edition and All Things Considered. She鈥檚 also an editor of the station鈥檚 limited series podcast, 'In Absentia' and producer of the five-part podcast Unforgotten: 海角换妻鈥檚 Hidden History of Slavery.

Fund the Facts

You just read trusted, local journalism that鈥檚 free for everyone, thanks to donors like you.

If that matters to you, now is the time to give. Join the 50,000+ members powering honest reporting and a more connected 鈥 and civil! 鈥 海角换妻.

SOMOS CONNECTICUT is an initiative from 海角换妻, the state鈥檚 local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de 海角换妻, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programaci贸n que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para m谩s reportajes y recursos. Para noticias, suscr铆base a nuestro bolet铆n informativo en ctpublic.org/newsletters.

Fund the Facts

You just read trusted, local journalism that鈥檚 free for everyone, thanks to donors like you.

If that matters to you, now is the time to give. Join the 50,000+ members powering honest reporting and a more connected 鈥 and civil! 鈥 海角换妻.

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海角换妻鈥檚 journalism is made possible, in part by funding from Jeffrey Hoffman and Robert Jaeger.