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漏 2025 海角换妻

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Reimagining pageants: How AI and mental health advocacy are coming into play

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Fanvue World AI Creator Awards
An AI-generated Moroccan AI influencer named Kenza Layla won the first ever Miss AI crown.

AI-generated beauty pageants have come onto the scene reshaping the beauty competition landscape. They are evolving the longstanding tradition and changing what it means to win a title.

鈥淲e want to have AI women that aren't physically perfect, that aren't flawless and have these impossible standards of beauty that nobody can hope to achieve,鈥 said Sally-Ann Fawcett, a beauty pageant historian and author, while speaking on 海角换妻鈥檚 Disrupted.

Fawcett is a judge for , the world鈥檚 first beauty competition for AI creators. The organization hosted its first competition this year.

The competition was created as an opportunity to highlight the capabilities of artificial intelligence. The popularity of AI art exploded in 2022, with numerous creators experimenting with the technology. Generators such as and have made it easier than ever to create your own avatar.

AI models, whose social media accounts can rack up thousands of followers, have a responsibility, said Fawcett. She believes they should promote encouragement, support and inspiration to their audience.

While the standards for beauty are changing in the artificial world, in the real world, competitors are changing the way people view mental health.

鈥淚 remember the first time I was admitted into the mental hospital,鈥 said Shavana Clarke, 2024 Miss 海角换妻 USA. 鈥淥nce I came out [of the hospital], I was very much like, 鈥榮o I was just in the mental hospital鈥 ... and I just straight up said that on my social media.鈥

Clarke, who participated in pageants since the age of two, runs , a blog where she shares her personal journey with Borderline Personality Disorder. Clarke鈥檚 mission is to destigmatize the disorder, and how mental health issues are treated and seen in society.

鈥淭here is strength in saying 鈥榚verything's not great right now. I need help, and there is this resource out there that is willing to help me.鈥欌

Clarke also wants others to know that pageant constants aren鈥檛 one size fits all. 鈥淚t's so easy to want to put someone in a box, especially on their outward appearance,鈥 she said.

Today鈥檚 beauty pageants require contestants to impress judges with interviews, achievements and goals, rather than relying solely on appearance. Organizations have also broadened their rules, allowing older women, transgender women and mothers to compete.

鈥淧ageants are evolving, and we are going to see a new level of what it means to be a queen,鈥 Clarke said.

Learn More:
Listen to the full interviews on Disrupted: 鈥淏eauty pageants are changing: 'It's about the whole person'鈥

海角换妻's Khalilah Brown-Dean, Kevin Chang Barnum, and Wayne Edwards contributed to this report.

Shanice Rhule is a recent graduate of the University of 海角换妻 where she has written for her school鈥檚 newspaper and radio station. She has previously worked with 海角换妻 as a Social Media Intern and is currently their Dow Jones Digital Media Intern for the summer of 2024.

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SOMOS CONNECTICUT is an initiative from 海角换妻, the state鈥檚 local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de 海角换妻, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programaci贸n que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para m谩s reportajes y recursos. Para noticias, suscr铆base a nuestro bolet铆n informativo en ctpublic.org/newsletters.

Fund the Facts

You just read trusted, local journalism that鈥檚 free for everyone, thanks to donors like you.

If that matters to you, now is the time to give. Join the 50,000+ members powering honest reporting and a more connected 鈥 and civil! 鈥 海角换妻.

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海角换妻鈥檚 journalism is made possible, in part by funding from Jeffrey Hoffman and Robert Jaeger.