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Modest moments become revelatory in the wry and incisive 'Shred Sisters'

Shred Sisters
Grove Atlantic
Shred Sisters

I was in the mood for a novel about family relationships, something -esque. Maybe, I thought, a sharp, contained work of fiction would be a temporary antidote to a world that feels out of control.

Because I admired Betsy Lerner鈥檚 2016 memoir , I thought her new debut novel, Shred Sisters, might just be the right choice. Turns out, I landed on a good book for the wrong reasons.

Shred Sisters is, indeed, incisive and wry; but, given its central subject 鈥 an upper-middle-class, Jewish, suburban family all-but-capsized by the mental illness of one of its members 鈥 this novel is anything but contained and controlled.

Shred Sisters spans the 1970s through the 1990s and focuses intensely on the relationship between the two Shred sisters who live with their parents in New Haven, Conn. Amy, the younger sister, is our narrator: She鈥檚 small, shy, a scrupulous obeyer of rules. One of her favorite games as a kid is one she calls 鈥淢ovies鈥 where she 鈥渟catter[s] garbage on the floor and sweep[s] it up鈥 鈥 like a theater usher.

Older sister Olivia, known as 鈥淥llie,鈥 is the star of the family: She鈥檚 beautiful, charismatic and 鈥 as becomes increasingly clear during her teenage years 鈥 she struggles with mental illness. Here are snippets from the opening of the novel, which takes place when Amy is 10 and Ollie is 14. Amy recalls that:

That opening gives fair warning of the erratic periods of chaos and exhaustion that will define the Shred family鈥檚 life for decades 鈥 especially as Ollie begins stealing things, raging and disappearing. She鈥檚 eventually sent to a psychiatric hospital that Amy and her parents tactfully refer to as 鈥淭he Place."

One of the aspects of coping with mental illness that Lerner vividly captures is the limits of 1970s and '80s psychiatry to treat what Amy later speculates is . The Shred parents never get a diagnosis for Ollie; Amy, left on her own, reads popular books of the era to try to grasp what鈥檚 going on: 鈥淭hey all had a girl on the cover [Amy tells us], brunette and brooding. Go Ask Alice ... The Bell Jar. None of the girls reminded me of Ollie.鈥

After two years, Ollie is discharged, unchanged, and disappears for even longer stretches. Drained of energy for each other, the Shred parents, Amy says, 鈥渟plit slowly, like the subterranean forces that pulled apart the jagged coasts of South America and Africa.鈥

As she did in The Bridge Ladies, Lerner elevates what may sound like yet another pop saga of endurance, measured recovery and forgiveness into a closely observed story that鈥檚 ragged and wry. The final two-thirds of this novel focus on Amy herself 鈥 the usher in the shadows who鈥檚 spent decades powerlessly observing and cleaning up after this family movie.

Change, as we know, is hard; but, there鈥檚 a moment where the adult Amy, who鈥檚 been demoralized by loneliness and career failure, spontaneously walks into a hair salon. She鈥檚 pulled in by a sign that reads: 鈥Never give up on your hair.鈥

These are the kind of revelatory ordinary human moments Lerner captures with precision. As an affirmation, 鈥Never give up on your hair鈥 turns out to be a more modest way to declare, 鈥淚 will survive.鈥

Copyright 2024 NPR

Maureen Corrigan, book critic for NPR's Fresh Air, is The Nicky and Jamie Grant Distinguished Professor of the Practice in Literary Criticism at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America. In 2019, Corrigan was awarded the Nona Balakian Citation for Excellence in Reviewing by the National Book Critics Circle.

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